fMusic has been rebuilt. It's the same product at its core, but it now sits on a new foundation, and that changed almost everything about how it feels to use. New interface, faster processing, smarter routing, and a level of stability we couldn't reach on the old codebase. If you tried fMusic before and it didn't quite fit your workflow, this is the version worth a second look.
I recorded a full run on a real session so you can see it work from start to finish.
https://www.youtube.com/watch?v=3yZRAS7K-Ss
What changed
- A full visual overhaul. New icons, a card based layout, and a reworked color system throughout.
- Persistent routing. Changing a track's category no longer breaks your configuration.
- Faster stereo to mono detection, including on large sessions.
- A redesigned export module, with keyboard shortcuts, a new Create Custom Print, and MP3 export support.
Why this matters
The part that does the real work sits underneath the interface. fMusic reads the raw audio signal of every file in your session and identifies the instrument type from the sound itself, regardless of what the file is named or what metadata it carries. The import prep that takes one to three hours by hand is done in seconds. The session you used to spend time setting up is the session you can start mixing in.
That's the whole point. fMusic handles the technical repetition so your attention stays on the mixing decisions.
Try it on your next session
fMusic runs on Pro Tools on macOS 11. There's a seven day free trial, no credit card required. You can download it here.
If you run it on a real session, tell us where it breaks. That kind of feedback is how it keeps getting better.
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