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fMusic

Sessions prepped.
Stems printed.

fMusic handles mix prep, routing and stem export automatically in Pro Tools and Logic Pro, so you can focus on what actually needs your ears.

Pro Tools 2024.3  ·  Logic Pro 11.1+  ·  macOS 13+  ·  Free 7-day trial
fMusic session
How it works

Import. Export. Batch the lot.

Import module

Mix prep, done on arrival.

From a folder of files to a mix-ready session: organized by instrument category, routed and named to your template. Strip silence and stereo-to-mono included. One template, saved for every project after.

Export module

Bounces run themselves.

Define custom and favorite prints, fire them with a shortcut from inside Pro Tools or Logic, and run them across multiple sessions in batch. Stems and alternate mixes land to your template, mono and stereo handled.

Multi-session batch

Queue the whole album.

Both modules run in batch: fMusic opens, processes and closes every session in sequence, overnight included. No supervision needed.

1Import
2Export
3Batch
See it run

Watch the session run itself.

From import prep to printed stems, in the background, on a real project.

Features

Prep on the way in. Stems on the way out.

fMusic covers both ends: mix prep on import, stems and alternate mixes on delivery, naming and batch in between.

Stem Export

Every stem set and alternate mix printed to your template, in the background. Custom and favorite prints fire with a shortcut from inside Pro Tools or Logic, on one session or the whole album in batch. The work that used to eat your evenings just runs.

Pro ToolsLogic Pro

Mix Prep

Sessions cleaned, routed and named to your template before you start. Open and mix.

0
failed bounces, every print

Mix template integration

fMusic integrates with the mix template you already have: routing, naming, categories. No new structure to adopt, no workflow to change.

Runs in background

Printing does not block the session. Keep editing, keep mixing, fMusic keeps bouncing.

Learn once. Match every record.

Teach fMusic your delivery template a single time. From then on every project prints stems, alts and naming to match it.

Stem setsAlt mixesNamingBackup
Who it is for

Built for producers, engineers and studios

Mixing engineers, producers, studios and composers run fMusic where the deliverables pile up.

Pricing

Pricing that pays for itself.

Every plan starts with a 7-day free trial, everything unlocked.

Monthly
€18/month
Get Monthly
Try it on a real project, cancel any time.
  • 2 seats
  • Pro Tools and Logic Pro
  • All features included
  • Free updates
YearlySave 50%
€109/year€216
Get Yearly
For working engineers. Half the price of monthly.
  • 2 seats
  • Pro Tools and Logic Pro
  • All features included
  • Free updates
LifetimePay once
€499one-time
Get Lifetime
Yours forever, every update included.
  • 2 seats
  • Pro Tools and Logic Pro
  • All features included
  • Free updates
Students and educators: apply for an educational deal

The engineers already moved.

Even with complex custom-coded automation, I still struggled in the studio. With Forte that burden is gone. Priceless.

Ricky Damian
Mix engineer · Mark Ronson, Lady Gaga, Jorja Smith

Check for mono files as stereo, import them, move tracks around, color code, strip silence. Forte makes all of it quicker so you get to the good bit faster.

Cameron Craig
Mix engineer · Adele, Björk, Amy Winehouse

I've tried every solution for bouncing stems, and so much about Forte just clicks. The mix prep system is exactly what I've wanted for years.

Robbie Artress
Mix engineer · Teddy Swims, Maren Morris, Billy Strings

Forte has changed everything for me when it comes to mix prep. I can't recommend it enough.

Emre Ramazanoglu
Producer · David Bowie, Brian Eno, David Holmes

Forte has become a daily part of my Pro Tools workflow. The import and batch stem export is a massive time saver.

Sean P. Jones
Mix engineer · Timbaland, J Balvin, Alessia Cara

The prep that used to eat my mornings just happens now. I open the session and it is already done.

Oli Jacobs
Mix engineer · Kendrick Lamar, Sabrina Carpenter, Harry Styles
FAQ

Frequently asked questions

Have a question about fMusic? These are the ones we hear most. If yours is missing, get in touch.

fMusic automates stem and deliverable export in Pro Tools and Logic Pro. You point it at your audio files; it imports them into an open session (your template, a new session, or any session you have open) and prints your deliverables using the DAW’s own bounce engine, with routing, naming and channel width matched to your setup.
Yes. fMusic automates stem export and mix prep in both Pro Tools (2024.3 or later) and Logic Pro (11 or later) on macOS: routing, naming, background bounces and batch export queues work in both DAWs, and one license covers both.
Yes. fMusic runs the export in the background using the DAW’s bounce functions, so you are not stuck waiting on a blocking bounce. It works across Pro Tools and Logic Pro and prints each file to your routing, naming and width automatically.
Yes. fMusic queues multiple sessions and processes them unattended, opening and closing each one with no manual restarts or dialogs to babysit, so you can leave a batch running overnight. It works across Pro Tools and Logic Pro.
Yes. fMusic exports each file at the channel width set in your session, so mono stays mono and stereo stays stereo, and you do not collapse width or pad mono files to dual-mono by hand. Width follows your setup across Pro Tools and Logic Pro.
fMusic exports WAV and AIFF at 16, 24 or 32-bit, and MP3 at 128, 192 or 320 kbps. Sample rates range from 44.1 kHz up to 192 kHz (44.1, 48, 88.2, 96, 176.4 and 192). You choose the format and quality per delivery.
fMusic uses your DAW’s own bounce functions and does not add or cut tails arbitrarily, so you configure your exports as usual. In Pro Tools, its Timeline Recall feature can automatically recall the timeline you choose during the bounce, so tails print exactly as intended.
Yes. fMusic follows the naming convention you already use rather than imposing a fixed scheme, so batch exports come out correctly named and organized. Deeper, rule-based naming is planned for the next major version of fMusic.
Not currently. fMusic exports mono and stereo deliverables; immersive formats such as Dolby Atmos and ADM BWF are not supported today. If you need immersive delivery, tell us with a feature request and we will weigh it for the roadmap.
No. fMusic does not apply loudness normalization or target streaming LUFS levels such as -14 LUFS. It prints your mix exactly as you set it, automating the routing, naming, width and bounce, so your loudness decisions stay in your hands.
fMusic runs entirely on your Mac, so nothing is uploaded, and it only contacts the internet at sign-in to verify your license. One license covers 2 seats, so you can run it on two machines such as a studio rig and a laptop. Every plan includes all features and the same 2 seats.
You can switch to the fMusic Lifetime license at any time, but there is no upgrade pricing: Monthly and Yearly payments do not accumulate as credit toward Lifetime, and there are no discounted upgrade offers, because the subscription and the Lifetime license are two separate offers. To switch, you buy the Lifetime license at its full price and cancel your subscription so it does not renew.
fMusic requires Pro Tools 2024.3 or later, or Logic Pro 11 or later, on macOS 11 or later, with a single installer for Apple Silicon and Intel. It offers a 7-day free trial with no credit card that starts at first sign-in and expires on its own.

Try Forte.

Pro Tools 2024.3 ·  Logic Pro 11.1+ ·  macOS 13+